As Janet Lilo enjoys her first solo survey show at Te Uru Waitakere Contemporary Gallery, the artist speaks to Mark Amery about coincidence, accountability and her addiction to a socially-driven practice.
Ahead of a series of nationwide screenings in July, the pod examine Amanda Newall's The Hoover Diairies, a new video which chronicles the dawn of neo-liberalism in 1980s New Zealand through a series of true and strangely connected events; a murder, a pop concert and the introduction of fishing qu
Transmissions and Traces; in this podcast Thomasin Sleigh and Tim Corballis join host Mark Amery to discuss Sonya Lacey's installation Infinitesimals, which taks it's cues from homeopathy, linguistics and material shift.
How does a gallery best serve it’s public? How does a gallery best serve an artist? In this podcast Ema Tavola, Judy Darragh and host Mark Amery find many resonances in the work of Angela Tiatia, but lament the missed opportunities in a survey at Māngere Arts Centre.
How do we mediate the claims of the internet to represent the world? Curator George Clark and Writer Martin Patrick discuss Camille Henrot's Grosse Fatigue, Sol Le Witt's assertion that conceptual artists are not rationalists but mystics, and high-tech primitivism.
From moving images to mob portraits to wonky pots; in this podcast our panel consider the most interesting events in the New Zealand art world of 2015. Host Mark Amery is joined by regulars Martin Patrick and Thomasin Sleigh plus newbies Emma Bugden and Reuben Friend.