"...this anonymity, which can only breed within a crowd, enacts a radical invisibility within Offspring of rain. It destabilises the authority of physical existence in favour of sensation." - Jane Wallace
"...what we get isn’t the straight take but the oblique angle, the refracting line in which storylines can multiply." - Hamish Win
In this second essay of a three-part series exploring how key moving-image concepts arise in other formats, Hamish Win discusses Guillaume Cailleau, Shaun Waugh, Pablo Picasso, Oscar Enberg and Tahi Moore.
"How we judge Campbell’s photography might come down to how we judge the ability of the camera to put an idea of contact and connection into practice."
Tim Corballis discusses two exhibitions by Joyce Campbell exhibited concurrently at the Adam Art Gallery, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell and Te Taniwha: The Manuscript of Ārikirangi Adam Art Gallery, 27 July to 20 October 2019.
From Me To You is the title of the 2019 CIRCUIT/AURA Symposium. Presented in Wellington on Saturday 5 October, From Me To You addresses the role of personal voices in artist moving image production. Featuring papers and presentations from Nina Tonga, Dr. Thierry Jutel, Milly Mitchell-Anyon, Gavin Hipkins, Dilohana Lekamge, Deme Scott-McGregor, Selina Erchadi, Shannon Te Ao. Register Online here.
"Raw Black Metal has been really useful in terms of reinforcing the attitude or sensibility for making work. I guess it provides a sense of strength and then I distill that within my own work in a certain way." - Clinton Watkins
CIRCUIT Director Mark Williams sits down with Clinton Watkins to discuss a series of recent works inspired by Stanley Kubrick, ecological awareness and musical manifestos.
There’s a plasticity to the arts that makes mediums entirely fluid. Surely then it’s no surprise to recognise one mediums technique in another. With this in mind, Hamish Win explores how key moving-image concepts of absorption, refraction and duration all arise in other formats. In this first essay of a three-part series Win examines Sam Rountree Williams’ recent use of cinematic absorption to invoke in painting a temporality without end.
“When I think about moving image, I think its' whakapapa goes to performance. If you look at the elements of kapa haka there are some really great things to call on, to bring in. It’s storytelling. I've never been very interested in having video that hasn't had people in it neither.” - Rachael Rakena
In the third conversation from our four part series Uiuinga, Bridget Reweti meets Rachael Rakena. Commissioned by CIRCUIT and Toi Māori Aotearoa - Māori Arts New Zealand.