Berlin-based artist Susan Philipsz gives an overview of her practice in the context of her new installation at Adam Art Gallery, 'White Flood'. The Turner Prize-winning artist has exhibited widely, producing evocative sound works for unusual locations—for example, under a bridge, in an abandoned train station—and for major museums such as the Museum of Modern Art in New York and London’s Tate Modern.
Passages: Luke Fowler, Florian Hecker, Susan Philipsz
Curated by Stephen Cleland
Opening hours: Tuesdays-Sundays 11am-5pm
Adam Art Gallery Te Pātaka Toi launches its 2019 programme with Passages, which features three substantial presentations by Susan Philipsz (Scotland), Luke Fowler (Scotland) and Florian Hecker (Germany). All three artists are internationally renowned for their work with sound.
Luke Fowler presents GLYPHS (Tapes from Martin's Archive)
By Fowler/Karel (2017)
For this one-off performance, Luke Fowler presents rare material adapted from the work of late Canadian electroacoustic composer Martin Bartlett. The quadrophonic concert is comprised of new work produced entirely from the late composer’s unreleased and little-known reel to reels. The compositions were digitised by Fowler as part of his research process in making Electro-Pythagorus, one of two films in Passages. General admission, free entry.
On the eve of the exhibition opening for 'Passages' at Adam Art Gallery, we are pleased to partner with City Gallery Wellington to present a one-off screening of 'Pilgrimage from Scattered Points', a film by acclaimed Glasgow-based artist, filmmaker and musician Luke Fowler. This is Fowler’s portrait of the enigmatic composer Cornelius Cardew who founded the Scratch Orchestra and was an important influence on New Zealand artist Philip Dadson.
Sometimes, when I drive down the street from my house, I see a woman walking backwards down the footpath. The street she walks on is long and straight, but at the end there is a corner and I wonder how smoothly she walks around this. I imagine she has done this many times and is now able to move backwards without looking behind her.
Taipei Contemporary Art Center curator Bochun Hsiao and board member Frankie Su, director of Taipei’s Hong-Gah Museum, will discuss the history of TCAC and the modes of curatorial and artistic practice it supports.