Blog posts tagged with: Capitalism

Posted Feb 12, 2014
By
Tim Corballis
Still from War-Fi Cowboys (2010) Peter Wareing

There is a way, suggested by Hito Steyerl, to think about video art. As cinema enters the gallery, no audience can sit out its full duration—instead, it is exploded across multiple channels, so that the wandering viewer is asked to catch limited glimpses of all its parts simultaneously. No final understanding of the work is available, no narrative wound up in tidy conclusion.

Posted Feb 12, 2014
By
Tim Corballis
Still from War-Fi Cowboys (2010) Peter Wareing

There is a way, suggested by Hito Steyerl, to think about video art. As cinema enters the gallery, no audience can sit out its full duration—instead, it is exploded across multiple channels, so that the wandering viewer is asked to catch limited glimpses of all its parts simultaneously. No final understanding of the work is available, no narrative wound up in tidy conclusion.

Posted Feb 12, 2014
By
Tim Corballis
Still from War-Fi Cowboys (2010) Peter Wareing

There is a way, suggested by Hito Steyerl, to think about video art. As cinema enters the gallery, no audience can sit out its full duration—instead, it is exploded across multiple channels, so that the wandering viewer is asked to catch limited glimpses of all its parts simultaneously. No final understanding of the work is available, no narrative wound up in tidy conclusion.

Posted Feb 12, 2014
By
Tim Corballis
Still from War-Fi Cowboys (2010) Peter Wareing

There is a way, suggested by Hito Steyerl, to think about video art. As cinema enters the gallery, no audience can sit out its full duration—instead, it is exploded across multiple channels, so that the wandering viewer is asked to catch limited glimpses of all its parts simultaneously. No final understanding of the work is available, no narrative wound up in tidy conclusion.