Blog posts tagged with: Documentary

Posted Oct 20, 2020
By
Israel Randell

“I was thinking about what you think is knowledge, what you find out through machinery, and what you find out through attending to things that you see” - Alex Monteith

In this episode our Mana Moana Resident Israel Randell talks to Alex Monteith about her new CIRCUIT Artist Cinema Commission Deepwater Currents (2020), premiering 6.30pm Friday 23 October at Pataka.

Posted Oct 20, 2020
By
Israel Randell

“I was thinking about what you think is knowledge, what you find out through machinery, and what you find out through attending to things that you see” - Alex Monteith

In this episode our Mana Moana Resident Israel Randell talks to Alex Monteith about her new CIRCUIT Artist Cinema Commission Deepwater Currents (2020), premiering 6.30pm Friday 23 October at Pataka.

Posted Oct 20, 2020
By
Israel Randell

“I was thinking about what you think is knowledge, what you find out through machinery, and what you find out through attending to things that you see” - Alex Monteith

In this episode our Mana Moana Resident Israel Randell talks to Alex Monteith about her new CIRCUIT Artist Cinema Commission Deepwater Currents (2020), premiering 6.30pm Friday 23 October at Pataka.

Posted Oct 20, 2020
By
Israel Randell

“I was thinking about what you think is knowledge, what you find out through machinery, and what you find out through attending to things that you see” - Alex Monteith

In this episode our Mana Moana Resident Israel Randell talks to Alex Monteith about her new CIRCUIT Artist Cinema Commission Deepwater Currents (2020), premiering 6.30pm Friday 23 October at Pataka.

Posted Oct 20, 2020
By
Israel Randell

“I was thinking about what you think is knowledge, what you find out through machinery, and what you find out through attending to things that you see” - Alex Monteith

In this episode our Mana Moana Resident Israel Randell talks to Alex Monteith about her new CIRCUIT Artist Cinema Commission Deepwater Currents (2020), premiering 6.30pm Friday 23 October at Pataka.

Posted Feb 12, 2014
By
Tim Corballis
Still from War-Fi Cowboys (2010) Peter Wareing

There is a way, suggested by Hito Steyerl, to think about video art. As cinema enters the gallery, no audience can sit out its full duration—instead, it is exploded across multiple channels, so that the wandering viewer is asked to catch limited glimpses of all its parts simultaneously. No final understanding of the work is available, no narrative wound up in tidy conclusion.

Posted Feb 12, 2014
By
Tim Corballis
Still from War-Fi Cowboys (2010) Peter Wareing

There is a way, suggested by Hito Steyerl, to think about video art. As cinema enters the gallery, no audience can sit out its full duration—instead, it is exploded across multiple channels, so that the wandering viewer is asked to catch limited glimpses of all its parts simultaneously. No final understanding of the work is available, no narrative wound up in tidy conclusion.

Posted Feb 12, 2014
By
Tim Corballis
Still from War-Fi Cowboys (2010) Peter Wareing

There is a way, suggested by Hito Steyerl, to think about video art. As cinema enters the gallery, no audience can sit out its full duration—instead, it is exploded across multiple channels, so that the wandering viewer is asked to catch limited glimpses of all its parts simultaneously. No final understanding of the work is available, no narrative wound up in tidy conclusion.

Posted Feb 12, 2014
By
Tim Corballis
Still from War-Fi Cowboys (2010) Peter Wareing

There is a way, suggested by Hito Steyerl, to think about video art. As cinema enters the gallery, no audience can sit out its full duration—instead, it is exploded across multiple channels, so that the wandering viewer is asked to catch limited glimpses of all its parts simultaneously. No final understanding of the work is available, no narrative wound up in tidy conclusion.

Posted Aug 27, 2013
By
Mark Williams
Still from Outsider Trading (2013) a film by Martin Rumsby

Since the late 1970s Martin Rumsby has developed an extensive career as a film-maker, writer, exhibitor and distributor in New Zealand and North America. On Friday Aug 30 at 2.45pm, Rumsby presents A Couple of Things, an illustrated lecture that finds cinematic futures in decayed and decomposing cinemas and in the reinvention of discarded cinematic genres.

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