Blog posts tagged with: Landscape

Posted Nov 11, 2020
By
Israel Randell
Still (detail), Kahurangiariki Smith, MāoriGrl (video game demo) (2017)

"Making video games about our old stories, especially if the mahi is also a bit cheeky, I always wonder “Am I gonna get in trouble for this?" - Kahurangiariki Smith

(ex)CLAIM is an interview series by Israel Randell, in which she meets practitioners from Aotearoa whose work seeks to correct imbalances in our bi-cultural histories. In this interview she meets Kahurangiariki Smith.

Posted Nov 11, 2020
By
Israel Randell
Still (detail), Kahurangiariki Smith, MāoriGrl (video game demo) (2017)

"Making video games about our old stories, especially if the mahi is also a bit cheeky, I always wonder “Am I gonna get in trouble for this?" - Kahurangiariki Smith

(ex)CLAIM is an interview series by Israel Randell, in which she meets practitioners from Aotearoa whose work seeks to correct imbalances in our bi-cultural histories. In this interview she meets Kahurangiariki Smith.

Posted Nov 11, 2020
By
Israel Randell
Still (detail), Kahurangiariki Smith, MāoriGrl (video game demo) (2017)

"Making video games about our old stories, especially if the mahi is also a bit cheeky, I always wonder “Am I gonna get in trouble for this?" - Kahurangiariki Smith

(ex)CLAIM is an interview series by Israel Randell, in which she meets practitioners from Aotearoa whose work seeks to correct imbalances in our bi-cultural histories. In this interview she meets Kahurangiariki Smith.

Posted Nov 11, 2020
By
Israel Randell
Still (detail), Kahurangiariki Smith, MāoriGrl (video game demo) (2017)

"Making video games about our old stories, especially if the mahi is also a bit cheeky, I always wonder “Am I gonna get in trouble for this?" - Kahurangiariki Smith

(ex)CLAIM is an interview series by Israel Randell, in which she meets practitioners from Aotearoa whose work seeks to correct imbalances in our bi-cultural histories. In this interview she meets Kahurangiariki Smith.

Posted Oct 30, 2020
By
Jasmine Gallagher
Nathan Pohio, Let it be to a Lofty Mountain (2020), Christchurch Arts Centre, 20-29 Aug 2020

"Gone is the pastiche and irony inherent to much postmodern New Zealand art of the 90’s... This has been replaced by art that allows elements of hope, sincerity and emotion to sit alongside the cynicism and rationality of more traditional forms of critique." - Jasmine Gallagher

Posted Oct 30, 2020
By
Jasmine Gallagher
Nathan Pohio, Let it be to a Lofty Mountain (2020), Christchurch Arts Centre, 20-29 Aug 2020

"Gone is the pastiche and irony inherent to much postmodern New Zealand art of the 90’s... This has been replaced by art that allows elements of hope, sincerity and emotion to sit alongside the cynicism and rationality of more traditional forms of critique." - Jasmine Gallagher

Posted Oct 30, 2020
By
Jasmine Gallagher
Nathan Pohio, Let it be to a Lofty Mountain (2020), Christchurch Arts Centre, 20-29 Aug 2020

"Gone is the pastiche and irony inherent to much postmodern New Zealand art of the 90’s... This has been replaced by art that allows elements of hope, sincerity and emotion to sit alongside the cynicism and rationality of more traditional forms of critique." - Jasmine Gallagher

Posted Oct 30, 2020
By
Jasmine Gallagher
Nathan Pohio, Let it be to a Lofty Mountain (2020), Christchurch Arts Centre, 20-29 Aug 2020

"Gone is the pastiche and irony inherent to much postmodern New Zealand art of the 90’s... This has been replaced by art that allows elements of hope, sincerity and emotion to sit alongside the cynicism and rationality of more traditional forms of critique." - Jasmine Gallagher

Posted Oct 29, 2020
By
Israel Randell

"...I would have constant dreams and visualisations of mahi. I’d see the end product and it was always moving and had sound. Initially, that drove me to go back to study and learn those skills so that I could actualise these dreams." - Jamie Berry

(ex)CLAIM is an interview series by Israel Randell, in which she meets practitioners from Aotearoa whose work seeks to correct imbalances in our bi-cultural histories. In this interview Jamie Berry discusses collaboration and the conscious shift to tell history through a non-colonised lens.

Posted Oct 29, 2020
By
Israel Randell

"...I would have constant dreams and visualisations of mahi. I’d see the end product and it was always moving and had sound. Initially, that drove me to go back to study and learn those skills so that I could actualise these dreams." - Jamie Berry

(ex)CLAIM is an interview series by Israel Randell, in which she meets practitioners from Aotearoa whose work seeks to correct imbalances in our bi-cultural histories. In this interview Jamie Berry discusses collaboration and the conscious shift to tell history through a non-colonised lens.

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