Blog posts tagged with: Travel and journey

Posted Jan 16, 2014
By
Abby Cunnane
Still from The Golden Fields (2010) Kim Pieters

If you could plan it, you’d wake up to a film like this. Though you wouldn’t actually wake up at all; you’d stay for a long time in the yellow saturated half-light of an evening which sends the sun slanting across fields so flat that they weigh the sky down. Half awake, the horizon tilts, just marginally, but with a finality like it’s the planet that’s tilted rather than the camera. There’s a sound like the sound of an organ, if you were inside of that organ, or inside the ear of someone who was inside that organ, or inside the sound of that organ waking up.

Posted Jan 16, 2014
By
Abby Cunnane
Still from The Golden Fields (2010) Kim Pieters

If you could plan it, you’d wake up to a film like this. Though you wouldn’t actually wake up at all; you’d stay for a long time in the yellow saturated half-light of an evening which sends the sun slanting across fields so flat that they weigh the sky down. Half awake, the horizon tilts, just marginally, but with a finality like it’s the planet that’s tilted rather than the camera. There’s a sound like the sound of an organ, if you were inside of that organ, or inside the ear of someone who was inside that organ, or inside the sound of that organ waking up.

Posted Jan 16, 2014
By
Abby Cunnane
Still from The Golden Fields (2010) Kim Pieters

If you could plan it, you’d wake up to a film like this. Though you wouldn’t actually wake up at all; you’d stay for a long time in the yellow saturated half-light of an evening which sends the sun slanting across fields so flat that they weigh the sky down. Half awake, the horizon tilts, just marginally, but with a finality like it’s the planet that’s tilted rather than the camera. There’s a sound like the sound of an organ, if you were inside of that organ, or inside the ear of someone who was inside that organ, or inside the sound of that organ waking up.

Posted Jul 27, 2012
By
Mark Williams
Still from Screen Shots (Zig Zag) 2011

“I like how performance can directly affect an audience and make them vulnerable or anxious...” - Steve Carr.

In this interview Steve Carr discusses the roots of his work in performance, his collaborations with film industry professionals and a recent residency in Japan.

Posted Jul 27, 2012
By
Mark Williams
Still from Screen Shots (Zig Zag) 2011

“I like how performance can directly affect an audience and make them vulnerable or anxious...” - Steve Carr.

In this interview Steve Carr discusses the roots of his work in performance, his collaborations with film industry professionals and a recent residency in Japan.

Posted Jul 27, 2012
By
Mark Williams
Still from Screen Shots (Zig Zag) 2011

“I like how performance can directly affect an audience and make them vulnerable or anxious...” - Steve Carr.

In this interview Steve Carr discusses the roots of his work in performance, his collaborations with film industry professionals and a recent residency in Japan.