Blog posts tagged with: Work and labour

Posted Apr 7, 2021
By
Mark Williams
Installation detail: Wong Ping, Wong Ping's Fables 1 (2018) . Courtesy the artist and Edouard Malingue Gallery, Hong Kong / Shanghai; Tanya Bonakdar Gallery, New York / Los Angeles. Photography by Sam Hartnett. Image courtesy of Gus Fisher Gallery, happiness is only real when shared (2021)

happiness is only real when shared is a follow up to We’re Not Too Big To Care, the inaugural exhibition curated by Lisa Beauchamp when she first took the reins of Gus Fisher Gallery in 2019. In the barely two years that have passed between these exhibitions, the world has been altered to such a degree that ‘business as usual’ is a state that we can barely hope to return to.

Posted Apr 7, 2021
By
Mark Williams
Installation detail: Wong Ping, Wong Ping's Fables 1 (2018) . Courtesy the artist and Edouard Malingue Gallery, Hong Kong / Shanghai; Tanya Bonakdar Gallery, New York / Los Angeles. Photography by Sam Hartnett. Image courtesy of Gus Fisher Gallery, happiness is only real when shared (2021)

happiness is only real when shared is a follow up to We’re Not Too Big To Care, the inaugural exhibition curated by Lisa Beauchamp when she first took the reins of Gus Fisher Gallery in 2019. In the barely two years that have passed between these exhibitions, the world has been altered to such a degree that ‘business as usual’ is a state that we can barely hope to return to.

Posted Apr 7, 2021
By
Mark Williams
Installation detail: Wong Ping, Wong Ping's Fables 1 (2018) . Courtesy the artist and Edouard Malingue Gallery, Hong Kong / Shanghai; Tanya Bonakdar Gallery, New York / Los Angeles. Photography by Sam Hartnett. Image courtesy of Gus Fisher Gallery, happiness is only real when shared (2021)

happiness is only real when shared is a follow up to We’re Not Too Big To Care, the inaugural exhibition curated by Lisa Beauchamp when she first took the reins of Gus Fisher Gallery in 2019. In the barely two years that have passed between these exhibitions, the world has been altered to such a degree that ‘business as usual’ is a state that we can barely hope to return to.

Posted Apr 7, 2021
By
Mark Williams
Installation detail: Wong Ping, Wong Ping's Fables 1 (2018) . Courtesy the artist and Edouard Malingue Gallery, Hong Kong / Shanghai; Tanya Bonakdar Gallery, New York / Los Angeles. Photography by Sam Hartnett. Image courtesy of Gus Fisher Gallery, happiness is only real when shared (2021)

happiness is only real when shared is a follow up to We’re Not Too Big To Care, the inaugural exhibition curated by Lisa Beauchamp when she first took the reins of Gus Fisher Gallery in 2019. In the barely two years that have passed between these exhibitions, the world has been altered to such a degree that ‘business as usual’ is a state that we can barely hope to return to.

Posted Jan 5, 2014
By
Laura Preston
Still from The Net (2012-ongoing) Andrew de Freitas

Immediately you are drawn in by the mood of Andrew de Freitas’ films. It’s in the air so to speak; constructed through a musical score that compounds an orchestration of images sculpturally composed frame after frame. Taking from the vicissitudes of the everyday—incrementally shedding light on the complex relations of nature and culture—de Freitas’ films align with that old platitude that to get closer to reality, treat language as construction. Further, the mood his films project is by means of affiliating form with feeling.

Posted Jan 5, 2014
By
Laura Preston
Still from The Net (2012-ongoing) Andrew de Freitas

Immediately you are drawn in by the mood of Andrew de Freitas’ films. It’s in the air so to speak; constructed through a musical score that compounds an orchestration of images sculpturally composed frame after frame. Taking from the vicissitudes of the everyday—incrementally shedding light on the complex relations of nature and culture—de Freitas’ films align with that old platitude that to get closer to reality, treat language as construction. Further, the mood his films project is by means of affiliating form with feeling.