Sandy Gibbs

Sandy Gibbs is a Wellington-based artist and currently a PhD candidate at Deakin University, Melbourne. Her thesis, The paradox of failure: sport, competition and contemporary art, investigates generative possibilities of failure and how this can inform and feed back into an art-making strategy. In 2018, Gibbs travelled to Mexico City where she re-staged the final of the women’s 400 metres individual medley from the 1968 Olympics with a group of Mexican Masters swimmers – this video work will form a key component of her PhD thesis and future exhibition outcomes. Other recent video works include How to wear a disguise (2018) and Lighting an old flame (2017).

Gibbs’ previous work focused on investigating social and ideological institutions as sites of zones of engagement, ritual and artifice: for instance, religion, churches, property developers, housing developments. These were the entry points for her Masters thesis God is back – pass the plate (2012), consisting of two video works, Crying in the chapel (2012) and The twelve apostles (2012).

Several of Gibbs’ earlier video works explored gendered identity and social institutions such as families and marriage. Sometimes a kiss is… not just a kiss (2006) deliberately set out to conflate and problematise notions of mediatised masculinity and femininity; Man action 1 (2007) places a male figure into an empty swimming pool – armed with a scrubbing brush and a bright red bucket, performing a ritualised scrubbing of the pool bottom; All is full of love (2005) and Who remembers Wayne (2005) are both tightly edited takes on marriage, identity and intimate portraiture.

Gibbs graduated from Massey University in Wellington with a Bachelor of Fine Arts (First Class Honours) in 2004, and a Master of Fine Arts (with Distinction) in 2012.

CIRCUIT Projects

Masons Screen, Wellington (2018)

Selected Exhibitions

2019
Venetian Blind (collaboration with Patrick Pound and Jondi Keane), Palazzo Bembo, Venice

2018
Video Contemporary, Sydney Contemporary, Australia
Masons Screen, Wellington

2017
Private Investigations, (joint show with Mike Ting), MEANWHILE, Wellington
Art and Performance by Research, Deakin University, Melbourne, Australia

2013
Lucky Seat Prize, (solo show), Ramp Gallery, Hamilton

2008
Artists’ film festival, various venues, New Zealand

2006
Square2, City Gallery Wellington

2005
How To Be A Friend: new Wellington artists, Michael Hirschfeld Gallery, Wellington