Moana Don't Cry
Francis Alÿs (BE/MX) // Charlotte Graham (Aotearoa NZ) // Ioane Ioane (WS/Aotearoa NZ) // Knitlab (Aotearoa NZ/KR) // Graeme Atkins, Alex Monteith and Natalie Robertson (Aotearoa NZ) // Tuan Andrew Nguyen (VT)
curated by Gabriela Salgado
“We sweat and cry salt water, so we know that the ocean is really in our blood.” - Teresia Teaiwa
The exhibition Moana Don’t Cry approaches the ocean from a number of angles.
The Pacific is a vast liquid continent connecting hundreds of cultural groups with a robust spiritual thread: for indigenous islanders, Te-Moana-Nui-a-Kiwa is an ancestral home that both sustains and provides them with a fluid identity, as it did for ancient civilisations.
However, daily media coverage of environmental emergency inundates our lives with news about melting ice sheets and unmanageable levels of sea plastic pollution. We hear reports of coral bleaching and underwater fracking for gas and oil that threaten our marine species. Alongside the impact of ocean acidification, we hear of rising water levels, which endanger the very existence of a few Pacific nations.
Trouble in the Pacific is not new, however history tells us that the Pacific underwent 1,054 nuclear tests performed by the USA and France between 1945 and 1992. Colonial notions of the region as remote and isolated favoured it as a site for military projects in the name of security, with islands employed as strategic places for unnoticed tests between 1945 and 1992.
From times immemorial, our oceans have been the stage of countless migrations, conquests and exile, as well as providing a battlefield for territorial combats, and lying as silent witnesses of the Middle Passage and other economic projects.
Faced with past and present threats to ocean life, the exhibition addresses the need to protect life as kaitiaki (guardians) with a duty of care for the planet entrusted to us. An ontological turn connected to indigenous spirituality and ways of doing becomes paramount, to counter narratives of loss articulated by the colonial logic of dispossession.
Across the planet, coastal communities acknowledge the ocean as a nurturing entity connected to femininity and motherhood, the fundamental source of life. This metaphor doubles as a scientific fact, given that the oceans not only feed us but also produce most of the oxygen we breathe. Within the moana, motherhood and breathing collapse into the fundamental agents necessary for the perpetuation of the species, calling us to radical action through relational political ecologies.
Image: Tuan Andrew Nguyen, The Island, 2017 (film still). Courtesy of the artist and James Cohan Gallery