Since 1994 Clinton Watkins has produced artwork that investigates affects that combinations of sonic and visual information can have on an audience. The key conceptual issues of his work are drawn from an interest in constructing immersive experiences through the use of sound, colour and scale of installation incorporating video projection, television monitors and custom-made audio and video hardware. The visual and sound base of his work focusses on the characteristics, structures, phenomena, and processing of sonic and visual material through the exploration of repetition, distortion, colour, duration and form via a minimalist sensibility.