Circuit
Still from Hana Pera Aoake, I saw the mountain erupt (2023)
Magic Between Worlds: on Masons Screen
Magic Between Worlds: on Masons Screen
Sinead Overbye considers artists' approach to place and representation in the 2022-23 Masons Screen commissions.
Ngā tāpiringa toi houRecently added works
Blue Ted in Andalucia, Joya AiR (2023)
A childhood toy becomes a life-sized costume for the artist to wear while on residency in the desert of Andalucia, Spain.
Hope is not feeling that everything will be alright. Hope i... (2023)
Histories of the Taranaki Basin are retold as oil is extracted from the Moturoa Oil Field.
Howling out at a distance (2020)
Howling out at a distance reworks two 19th century editions of the Māori language newspaper Te Pīpīwharauroa to build an experimental narrative which explores ideas around language and understanding.
I saw the mountain erupt (2023)
I saw the mountain erupt considers the deep histories of maunga, geology, and awa through the resilience of local tuna (eels).
Tuhinga me ngā īpāhoWriting & podcast
.-Series-of-three-billboard-prints-and-a-digital-poster.-Photo-by-Sam-Hartnett.webp)
Enabling Phrases, Spaces, Places
Enabling Phrases, Spaces, Places
"In here, space is soft. Like blocking a lightbulb with your fingers, the walls betray an illuminated, epidermal glow." — Alena Kavka discusses Who can think, what can think at Te Tuhi
Visceral Motherhood
Visceral Motherhood
Leala Faleseuga discusses the mediation of memory and motherhood through images.
"The water in the container, that’s our bodies on display".
"The water in the container, that’s our bodies on display".
Hamish Win writes on James Oram's recent exhibition at Christchurch Art Gallery Te Puna o Waiwhetū, By Spectral Hands.
Ngā karere me ngā ara mahiNews and opportunities
Matariki Curator 2023
Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka) to continue as CIRCUIT’s Matariki Curator for 2023