Gabrielle Amodeo
I see my work as being like listening to karaoke at that moment the relationship between song and iteration breaks down. It is a personal, altered translation of something familiar, where meaning becomes twisted in action and enunciation, causing an irruption that unravels the known.
—Artist's website.
Gabrielle Amodeo on CIRCUIT · 3 works
Empty Orchestra (2016)
A hand-drawn replication of the subtitles of Martin Scorsese's Taxi Driver (1976).
Slow and mournfully; slow and sad; slow and solemnly (2013)
A spilt-recording of a strangely familiar piece of music that falls out of time.
Little Boy Blue (2008)
An animation of the long-standing design on Cerebos' iodised table salt.
Writing & podcasts featuring Gabrielle Amodeo
We’re Not Too Big to Care
We’re Not Too Big to Care
We’re Not Too Big to Care, curated by Lisa Beauchamp, is an ambitious show of 16 local and international artists that looks at the slow erosion of civil liberties and economic agency that has beset contemporary society.
CIRCUIT projects featuring Gabrielle Amodeo
Masons Screen
Masons Screen
Masons Screen is a public screen for video art in Wellington's CBD. CIRCUIT curates the screen in collaboration with the Wellington City Council.
Home Movies
Home Movies
31 works by video artists exhibited throughout the shops and businesses of Newtown, Wellington.