Joanna Margaret Paul
New Zealander Joanna Margaret Paul’s films were made in relative artistic isolation from avant-garde film discourse in the mid-1970s, but are rooted in an acute feminist politics that focuses on concerns of shared female social spaces and everyday domestic situations.
—Frieze Online (2016)
Joanna Margaret Paul on CIRCUIT · 13 works
Aberhart's House (1976)
The camera explores the interior and exterior of a house. A thick slab of bread is buttered and a small child examines a book.
Jillian Dressing (1976)
Shot in a mirror in half-light, Jillian Dressing captures the practiced rituals of preparing oneself for the world.
Writing & podcasts featuring Joanna Margaret Paul
This is Old Zeeland: CIRCUIT in Europe 2018
This is Old Zeeland: CIRCUIT in Europe 2018
A round up of recent CIRCUIT screenings in Europe, audience response, and reflection on different models for exchange.
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Summer Reading Series #1: Inside, looking out: Photographs by Joanna Margaret Paul
Summer Reading Series #1: Inside, looking out: Photographs by Joanna Margaret Paul
In the first of 2016's Summer Reading Series, Alice Tappenden looks at how Joanna Margaret Paul's photographs relate to her wider practice.