Between 2000–2004, M D Brown made three short films inspired by the stream of consciousness technique of modernist European writers including James Joyce and Samuel Beckett. Each film featured the voice of a lone male, ruminating on late night memories of murky events and personal relationships whose character has been shaped by the passage of time. Using a visual technique of fleeting images interrupted by black, Brown sought to evoke the nature of memory as a subjective series of affective images flickering across the mind's eye.