"Matilda Fraser (BFA Hons, Massey University Wellington (2012); MFA Hons, Elam School of Fine Art Auckland (2016)) is an artist and writer based in Wellington, New Zealand. She has a multidisciplinary research-driven practice that deals with circulation, exchange, colloquial histories, earnestness, and the broken promises of language. Her work takes shape through film, still image, polyvocal sound compositions, handmade publications and three-dimensional installation.
A key concern of her work is how the historian explores the past: whether as a sightseer viewing the past in the present, or as a time-traveller, concerned not with the right things in the right order, but in search of strains of spirit and vitality that eventually filter down to us, or come echoing through many and often-anonymous voices.
Matilda was the 2015 Writer-in-Residence at Blue Oyster Art Project Space, Dunedin, producing a series of nested texts entitled Against Efficiency about attention economies and the nature of criticism." - MF
The Race Marches Forward on the Feet of Little Children, Blue Oyster, Dunedin (2018)
I digress, Enjoy Public Art Gallery, Wellington (2017)
The Eight Hours Plan: for Samuel Duncan Parnell, Mason's Screen, Wellington (2017)
The Tomorrow People, Adam Art Gallery, Wellington (2017) (commissioned essay)
New Perspectives, Artspace, Auckland (2016)
Eastern Art Express with RM, 2016 Sony World Photography Awards, Somerset House, London (2016)
little metonym, Hapori Projects, Auckland (2015)
Ways of Looking, Enjoy Public Art Gallery + 9 locations, Wellington, (2013)