Author and artist Chris Kraus puts Tao Wells' work The Beneficiary's Office into context via the work of philosopher and activist Simone Weil and the Italian NO WORK "Movement of 77".
Credits & notes
Taken from the Where Art Belongs/ Exhibitions As Mediums Symposium, Massey University School of Fine Arts, Litmus Research Initiative, Wellington 2011. Supported by College of Creative Arts research grant. In partnership with the City Gallery Wellington.
Chris Kraus' trip supported by Artspace Auckland and the International Visitors Programme, through Creative New Zealand, Toi Aotearoa.