Jae Hoon Lee

Dark Matter (2022)

6 min 37 secSingle channel / Digital Video / Colour / Sound

Dark Matter (2022) continues Jae Hoon Lee's practice of using digital image technology as a vehicle to transform organic matter, presenting a series of pulsing coals, crystal and other mineral deposits. The artifical extension of natural materials into new forms suggests an uneasy relationship between the natural and created world.

    A gallery with several large scale projections of natural forms with subtle transformations in their natural form, including a setting sun in purple, an island and a ball of organic matter ,

    Installation shot: Jae Hoon Lee, Dark Matter (2022) at Sarjeant Gallery Te Whare o Rehua Whanganui (2022)

    Ngā ataata nā Jae Hoon LeeOther works by Jae Hoon Lee

    A Leaf
    Jae Hoon Lee

    A Leaf (2003)

    A year of leaves digitally scanned and compiled into one continuous vertical cycle.

    A Leaf
    Chiang Mai Family
    Jae Hoon Lee

    Chiang Mai Family (2007)

    The artist records a sequence following his stay in a village on the Burmese/Thai border.

    Chiang Mai Family
    Coffin
    Jae Hoon Lee

    Coffin (2011)

    Documentation of a performance in which the artist lies down on top of a coffin and stretches.

    Coffin
    Salvation (Keyboard)
    Jae Hoon Lee

    Salvation (Keyboard) (2006)

    The camera continuously tracks over a used keyboard.

    Salvation (Keyboard)
    Jae Hoon Lee on CIRCUIT

    CIRCUIT is the
    leading voice
    for artist moving image
    practice
    in Aotearoa New Zealand,
    distributing works,
    critical review and
    dialogues
    which reflect our unique, contemporary
    South Pacific context.

    Ko CIRCUIT te māngai
    mō ngā mahi toi kiriata
    o Aotearoa, e tuku
    atu ana i ngā mahi toi,
    i ngā arotakenga
    me ngā whakawhitinga
    kōrero e kitea ai
    ngā āhuatanga
    motuhake o tō tātou noho i te ao hou ki
    Te Moananui-a-Kiwa.