Everything Forever (2019)

"The works in this exhibition consider what identifiers contribute to an artwork being read as queer, using reference points that range from markers of devious sexual undergrounds to a subversion of everyday household objects. The title borrows from a 1996 essay by Christopher Reed where he makes the claim that “no space is totally queer or completely unqueerable, but some spaces are queerer than others”. Spanning across photography, sculpture, painting and video, Imminent Domain explores how we might navigate our surroundings, and each other, using sexuality as a compass."