"Kennedy combs through old books and journals for her source images. Often culled from 1960s and 70s photography and illustration, many bear the sun-bleached aura of a California snapshot. In Eyes on the Moon she endowed these images with life-like qualities, or juxtaposed them to startling and absurd effect—a macraméd plant holder slowly turns in space; panda heads propel from the earth like launched rockets; and, in time to John Payne's synthesised beats, astronauts cavort with beach balls on the surface of the moon."