"In this work, I try to utilise both a microscopic and macroscopic perspective, my body is a microcosm for the environment, and I try to create a meaningful relationship with the environment by observing myself through an interplay between real and virtual experience. Self Camera has a self-interrogational nature. Through this work I strive to reframe my body within an imaginary landscape, projecting my psychological desire of a unity that comes from my sense of alienation towards the environment."
A year of leaves digitally scanned and compiled into one continuous vertical cycle.
The artist records a sequence following his stay in a village on the Burmese/Thai border.
Documentation of a performance in which the artist lies down on top of a coffin and stretches.
The camera continuously tracks over a used keyboard.