Installation view of The Destroyed Word (2010-12) Santiago Sierra
Mark Amery looks at art criticism in Aotearoa, Santiago Sierra's exhibition, The Destroyed World, at Te Tuhi, and the Asia Pacific Triennial in Brisbane.
Sound is not static, it moves in waves and into the flickering, morphing kupesi patterns of Sione Faletau's work.
Can failure be generative? How is the athletic strength of women depicted and interpreted? What happens when we restage events from the past?