Christina Read’s practice is an investigation of personal and unorthodox relationships between language and object, text and image. Rather than taking inspiration from critical discussions about contemporary art and theory, her art practice is sometimes indistinguishable from her unspectacular life. Read is interested in the everyday as a place for acting out the desultory humour of the ordinary. Themes central to her practice include the homemade and handmade; neuroses and anxieties; aspirations and self-delusions; melancholy and pathos.