Cushla Donaldson grew up in the Manawatū region of Te Ika-a-Maui. Guided by her observations growing up in a provincial settler colonial context, her practice gives form to the restive and political relationship between weakening dominant ideologies and the growing cogency and power of unacknowledged realities. The filmic documents of personal and socio-political events reflect Donaldson's practice which transverses sociological and artistic expressions.