Natural can be weaponised to enforce a synthetic order. We whisper ‘homo?’ to flowers, embodying a queer longing for validation.
Using food as an oil paint, Duffy draws on gestural techniques found within the world of modern advertising.
A three-channel work of varied found and new video—worms, rocks, broccoli, ducks. The surfeit of signs creates a sense of overload and excess.
Personal archives are pixellated and perforated by failures of memory.
Natural imagery is glitched and warped.