The artist stands against a wall and uses a spring—tensioned chest expander. The camera zooms in and out, mimicing the expansion and recoil of the muscle-building device.
“A play on the expectation of art somehow being a mind—expanding activity.”
Using subtle sleight of hand Nicol attempts to animate a face and a memory into life.
The artist methodically constructs a wooden cube in real time.
European and South Pacific choral music accompanies a sculpted image of a mother and child.
An absurdist performance piece for shotgun, duck and bandage that continues the artists interest in signs and signals of representation.