
Monstrous, bloodied, and box-dyed
Like any horror movie aficionado, Matthew Whiteman finds vulnerability, monstrosity, and cartharsis in The Brood, an exhibition at the Dowse Art Museum that traced a dark sensibility in recent art from Aotearoa.

shards from a broken mirror
Matthew Whiteman mines chance and the unconscious in Claus Lucas' Three Studies (2024), in the first of the Masons Screen Summer Writing Commissions for 2025.