Eight vertical fields of paint sit next to each other. Each vertical field is the same size, but differently coloured. Some are incomplete. Placed alongside each other, the columns of paint resemble SMPTE colour bars, a standard measure for setting a television monitor to reproduce correct chrominance and luminance information.

Still from Colour Bars (2008) Daniel von Sturmer

KiriataScreening

Goodnight Kiwi or, Tonight's Broadcast Has Now Ended, Regular Transmission Will Resume at 6am

A collection of 12 video works responding to the well-known Goodnight Kiwi animation, which indicated it was the end of broadcast TV for the evening.

Before the advent of 24-hour broadcasting in 1994 the evening closedown of New Zealand state television was signaled first by a two-minute animation called the Goodnight Kiwi, then followed by several hours of either static or a television test pattern.

These 12 videos are offered as a collection of alternative signoffs, transitions into the post-broadcast hour and/or potential place holders to fill the twilight hours between regular broadcasts. Alternately humorous, abstract and challenging, Goodnight Kiwi presents a series of direct addresses to the viewer specifically designed to be broadcast between the hours of 2-4am. Reflecting the often solitary and ritual nature of technological occupation, Goodnight Kiwi variously offers aesthetic transformation, mass media critique or moments of personal reflection arising from the effects of exhausted wakefulness.

Artists: Daniel von Sturmer, Bryce Galloway, Bronwyn Holloway-Smith, Miranda Parkes, Mike Heynes, Ben Holmes, Gemma Syme, Clinton Watkins, Lydia Chai, NA Royal, Brit Bunkley, Johannes Contag.

For those interested in hiring this programme, it is best suited for screens after dark or internet streaming, where somewhere in the world it is 3am.

Screening details

  • Ikono On Air (2014)

  • Filmessay.com (2014/15)

    Related artistsHe ringatoi anō

    3d models of large machines sit on top of satellite images of landscape images of land and rivers in this still of Brit Bunkley’s video work.

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    Bryce Galloway has taped household objects to his head in this till of his work. A pencil, lid of a tin can, pretzel, compressed redbull can, cheese and a rock are held to his head with a roll of tape.

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    A model showing a small castle in the background and a giant sausage in the foreground with a person standing inside.

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    In this still of Bronwyn Holloway-Smiths work there is a digital spinning real estate sign reading “COLONIAL”. The image feels like an advertisement and has greetings in multiple languages above and below the spinning sign.

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    A discarded and graffitied washing machine sits near pieces of rubbish in a vacant car park or lot near a wire mesh fence.

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    The image of a person's face behind a cracked screen.

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    A pair of legs wearing beige underwear with an object wedged underneath the underwear creating a large bulge

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    CIRCUIT is the
    leading voice
    for artist moving image
    practice
    in Aotearoa New Zealand,
    distributing works,
    critical review and
    dialogues
    which reflect our unique, contemporary
    South Pacific context.

    Ko CIRCUIT te māngai
    mō ngā mahi toi kiriata
    o Aotearoa, e tuku
    atu ana i ngā mahi toi,
    i ngā arotakenga
    me ngā whakawhitinga
    kōrero e kitea ai
    ngā āhuatanga
    motuhake o tō tātou noho i te ao hou ki
    Te Moananui-a-Kiwa.

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