Sandy Gibbs speaks to Thomasin Sleigh about a new body of work made over six years in response to the 1968 Olympics, a project made between Aotearoa, Mexico, and Germany which used failure as a generative process.

Gibbs discusses older women taking the space, critiquing the idea of competition in sport and art, and using restaging as a video art methodology.

Recent CIRCUIT Cast episodes

CIRCUIT is the
leading voice
for artist moving image
in Aotearoa New Zealand,
distributing works,
critical review and
which reflect our unique, contemporary
South Pacific context.