Samuel Ostermann

Black Lands (2004)

2 min 12 secDigital Video / Sound

"Aggression guides the protagonists movements when finding a dream object outside their dwelling. Exposing the video medium's nature as a virtual viewer the work asks who controls the freedom to choose when looking at an artwork."

Artist Statement

    Other works by Samuel Ostermann

    The wrapping of airwaves chewing gum has been scanned and reprinted on paper.
    Samuel Ostermann

    La Lucia is the weapon (2011)

    Still images combine into a stranger whole.

    La Lucia is the weapon
    An image is of a cap with the text Vietnam on it is repeated, as is the words Samuel Ostermann puts you in the middle of the art-work.
    Samuel Ostermann

    Upper Hutt is the mind (2011)

    Sculpture, photography, and the artist themself are absorbed into a singular moving image work.

    Upper Hutt is the mind
    A view down onto a child's high-chair with a silver and red plastic ribbon on it.
    Samuel Ostermann

    A Dead Sleep (2005)

    The protagonist wakes to find a make-believe dwelling.

    A Dead Sleep
    Hand-written text reading Image has a line drawn to text reading psychic space.
    Samuel Ostermann

    Anti-Fag and C.I.A in America (2016)

    A collage of signs and symbols; the protagonist moves through a dreamlike meta-narrative.

    Anti-Fag and C.I.A in America
    Samuel Ostermann on CIRCUIT

    CIRCUIT is the
    leading voice
    for artist moving image
    practice
    in Aotearoa New Zealand,
    distributing works,
    critical review and
    dialogues
    which reflect our unique, contemporary
    South Pacific context.