"The protagonist is caught considering the semiotic impact of a series of photographs of two sculptures made to be presented like a moving image. Samuel Ostermann is presented at the end of the video making a link to the protagonists presence in a criticism of the structure of advertising."
Upper Hutt is the mind (2011)
Ngā ataata nā Samuel OstermannOther works by Samuel Ostermann
Samuel Ostermann
Anti-Fag and C.I.A in America (2016)
A collage of signs and symbols; the protagonist moves through a dreamlike meta-narrative.
Samuel Ostermann
Black Lands (2004)
Exposing the video medium's nature as a virtual viewer, Black Lands asks who controls the freedom to choose when looking at an artwork.