"The protagonist is caught considering the semiotic impact of a series of photographs of two sculptures made to be presented like a moving image. Samuel Ostermann is presented at the end of the video making a link to the protagonists presence in a criticism of the structure of advertising."
Still images combine into a stranger whole.
The protagonist wakes to find a make-believe dwelling.
A collage of signs and symbols; the protagonist moves through a dreamlike meta-narrative.
Exposing the video medium's nature as a virtual viewer, Black Lands asks who controls the freedom to choose when looking at an artwork.