"Still images follow a rhythm moving a viewer through a domestic space. Linking many sculptures with other pictures from memory. Intending to upset a moving image the still images combine into a stranger whole for a few seconds of recognition."
Sculpture, photography, and the artist themself are absorbed into a singular moving image work.
The protagonist wakes to find a make-believe dwelling.
A collage of signs and symbols; the protagonist moves through a dreamlike meta-narrative.
Exposing the video medium's nature as a virtual viewer, Black Lands asks who controls the freedom to choose when looking at an artwork.