"Still images follow a rhythm moving a viewer through a domestic space. Linking many sculptures with other pictures from memory. Intending to upset a moving image the still images combine into a stranger whole for a few seconds of recognition."
La Lucia is the weapon (2011)
Ngā ataata nā Samuel OstermannOther works by Samuel Ostermann
Samuel Ostermann
Upper Hutt is the mind (2011)
Sculpture, photography, and the artist themself are absorbed into a singular moving image work.
Samuel Ostermann
Anti-Fag and C.I.A in America (2016)
A collage of signs and symbols; the protagonist moves through a dreamlike meta-narrative.
Samuel Ostermann
Black Lands (2004)
Exposing the video medium's nature as a virtual viewer, Black Lands asks who controls the freedom to choose when looking at an artwork.