“Waking, the protagonist finds two objects, one inside and the other outside their dwelling. Intending to lead the viewer into a dream narrative of a kind of continually threatened theoretical space where every image might be turned to be used or claimed as an art-work. Synthesis’s of many images and sounds by a machine-sequence randomised into an action of splitting the images. In a cinematic joining of places; New Zealand, Queensland and NSW, the protagonist travels in their mind to follow a sequences of pictures and leaving the objects they situate themselves in a borderland enclosed by the ocean and also by the machine."
Les voitures sont plus lentes en Amérique (2018)
Ngā ataata nā Samuel OstermannOther works by Samuel Ostermann
Samuel Ostermann
Upper Hutt is the mind (2011)
Sculpture, photography, and the artist themself are absorbed into a singular moving image work.
Samuel Ostermann
Anti-Fag and C.I.A in America (2016)
A collage of signs and symbols; the protagonist moves through a dreamlike meta-narrative.