Inspired by the simple realisation that all energy for life on Earth comes from the Sun, Trudy Lane’s Sunroom is an installation that stretches to encompass astrophysics, energy, ecology, and cosmologies.
This symposium invites papers that interrogate phenomenological approaches to film and changing notions of affect and which explore their ethical, social and political implications.
"One thing has led to another..." On the release of a career spanning book, 101 year old artist Michael Nicholson talks to Mark Amery about art, the power of the absurd, witchcraft, mystic philosophy and "the power to live life gracefully".
Described at the time by Annette King as ‘a hatchet job on the welfare state’, Judy Rymer’s 1997 documentary Time Bomb (1), is the subject of Tim Wagg’s False Paths.
“Is it possible for the Romantic to exceed the rational without eliminating it?” Cushla Donaldson talks Mark Amery through the exhibition The Fairy Falls at Te Uru Waitakere, featuring the premiere of a new film work documenting the mythical 1973 performance by Black Sabbath at The Great Ngaruawa
"...how can the artist say what this river means, when it means so many different things to so many different people?" Thomasin Sleigh on five live performances of Murray Hewitt's ambitious mapping of the Hutt River, The Rising Tide
"How does entanglement in the technical circuits of ‘progress’ shape not just dreams, but the capacity to dream?" In this pod guests Judy Darragh and Scott Hamilton join Mark Amery to discuss Dream Dialects, an exhibition by British artist Jem Noble recently installed at Te Tuhi, Aucklan
“How does your native soul inform your work?” This week on the podcast, host Mark Amery sits down with broadcasting legend Tainui Stephens at the launch of the 2017 Māoriland Film Festival in Ōtaki, to discuss indigenous modes of exchange and distribution.
Subjects overlap, one page bleeds through onto another, just as Lacey’s dual screens similarly replicate the process. It is palimpsestic, but it is also method. There is a clarity of the image, and then a mutating of the senses.
