Commentary

"we might think of Pointon’s work here as a testimonial in the best sense, in that it too claims a moment of self-expression from within a system normally rigged for mass-dispersion." - Hamish Win

In this third essay in a series exploring how key moving-image concepts arise in other formats, Hamish Win discusses the work of Elisabeth Pointon, Luke Willis Thompson, Anna Brimer & Max Fleury, Guillermo Faivovich and Nicolas Goldberg, Lee Miller and Fiona Connor and Rob Hood.

See part One - Absorption and part Two - Refraction!

"...what we get isn’t the straight take but the oblique angle, the refracting line in which storylines can multiply." - Hamish Win

In this second essay of a three-part series exploring how key moving-image concepts arise in other formats, Hamish Win discusses Guillaume Cailleau, Shaun Waugh, Pablo Picasso, Oscar Enberg and Tahi Moore.

"Where did we get to, David, in terms of Australia and New Zealand relations?" - Cushla Donaldson

501s is a work by Cushla Donaldson which invited prisoners detained under the Australian Immigration Act of 2014 to participate in the live streaming component of an installation at the Melbourne Art Fair in 2018. The project highlighted the plight of approximately 1300 New Zealand citizens held without criminal charges by the Australian government on suspicion of 'criminal conduct'. 501s is now showing in The Shouting Valley: Interrogating the Borders Between Us a group exhibition at Auckland's Gus Fisher Gallery until 14 December.

"A lot of confessions we make are performative" - Serena Bentley

In this podcast Melbourne-based curator Serena Bentley talks to Mark Amery about Personal Space, CIRCUIT's 2019 programme of Artist Cinema Commissions. Personal Space features five new works for cinema by Natasha Matila-Smith, Campbell Patterson, Janet Lilo, Tanu Gago and Atong Atem. Each artist was asked by Bentley to respond to the questions; 'What do we call 'home'? What are our shared values? What does home look like?'