Commentary

"...we can say that the concept of duration is keenly represented in moving image work, but more importantly, it is also able to actuate a perception of duration in the viewer. Do we need to say though that this is solely the purview of moving image work alone?"

Duration is the last of four essays by Hamish Win exploring how key moving-image concepts arise in other formats.

"This Biennale is bustling, crowded even. Bodies, images and sounds jar and interact in closely-knit constellations. This proposes a dynamic connectivity while baring each artworks singular power." - Moya Lawson

As the 22nd Sydney Biennale goes online, Moya Lawson's review of the Biennale's physical edition affirms the moving image as a dynamic, sculptural and site-responsive practice

Is time out the most productive time of all?

"Artists who challenge the model typically are collaborators" - Bruce Barber

With a dozen video works from 1973-2019 now on CIRCUIT, renowned New Zealand/Canadian artist Bruce Barber sat down with Mark Williams to discuss a career spent working inside and outside the art world; the link between the 2019 Hong Kong protests and historical radical Bertrand Russell; and rethinking Marxism for the 21st century.