Writing Posted May 25, 2021
By Mark Williams
A womans face on a screen with an animals tail coming out of her mouth

"Simnett’s survival strategy is to examine trauma's cooled, black, liquid residue, morphing the after-image into something new and darkly inhabited."

- Mark Williams on Marianna Simnett’s CREATURE at City Gallery Wellington

Podcast Posted May 6, 2021
By Thomasin Sleigh

In this pod Thomasin Sleigh speaks to Steve Carr and Christian Lamont about Fading to the Sky at Auckland's Te Uru Gallery, an exhibition that began as a response to Carr's mothers passing, and through a collaboration with his former student Lamont, evolved into a deeper narrative of los

Interview Posted May 5, 2021
By Lana Lopesi

What is sovereignty? Is it innate and universal, or something to be contested and won, in a given place and time?

Podcast Posted Apr 12, 2021

“I can only speak from my aspiration of how I want to see the world... and the art institution that I want to be involved in” - Nigel Borrell

Writing Posted Apr 7, 2021
By Amy Weng

happiness is only real when shared is a follow up to We’re Not Too Big To Care, the inaugural exhibition curated by Lisa Beauchamp whe

Writing Posted Mar 25, 2021
By Mark Williams

Have Uber, will travel. A recent 24 hour sojourn in Tāmaki Makaurau presents an opportunity for whistle stop impressions of shows by Natasha Matila-Smith, Steve Carr & Christian Lamont, Shannon Te Ao, Ana Iti and Toi Tū Toi Ora.

Podcast Posted Mar 16, 2021
By Moya Lawson

In this podcast Moya Lawson speaks to Xi Li and Connor Fitzgerald, two emerging artists working in digital space via avatars, text and interactivity.

Writing Posted Mar 3, 2021

" impressive waterfall... was said to fall into the harbour there, capturing colour in its spray. Who needed public art?"

Walking from pre-European city pā sites to Masons Screen, Mark Amery considers three new public art commissions by Layne Waerea, Annie Bradley and Theo MacDonald, addressing uninvited visitors, bodily architecture and digital confessions.

Writing Posted Feb 18, 2021
By Millie Riddell

"(LIGHT-HAUS)... calls attention to the monolith as screen, Deleuze’s 'frame of frames' that determines, for the viewer, “the out-of-field … what is neither seen nor understood, but nevertheless perfectly present”." - MIllie Riddell