"By reframing Paul’s cinema with new films, we hoped that an archive could be brought to life; speaking, breathing and collaborating to create new context for contemporary media arts practices." - Solomon Nagler
As part of an exchange with Enjoy Gallery in Wellington from 8 November-8 December, Taipei Contemporary Art Center present It Follows, a two part installation in Wellington which seeks to unpack some of the social, political and artistic ambitions of contemporary art spaces. CIRCUIT Director Mark Williams sat down with visiting TCAC curator Bochun Hsiao, TCAC board member Frankie Su, and Enjoy Director Sophie Davis to discuss the role of contemporary spaces like Enjoy and TCAC in an ever-changing landscape of institutional and artistic flux.
Foliage, soil, silence. It Was a Cave Like This (2017-18) opens to the lens drawing a gentle, verdant line, bringing the viewer into the cool sensations of an undergrowth. A voice; “You helped do this.” “...You helped light this flame.”
Walking the shore is commonplace in this country. But are we looking out, or in? Who are ‘we’ here? What are we walking on, or along? And how far does the shore extend in time, place, and, well, film? - Stephen Turner
Curated by Laura Duffy, worth your while is an installation for public art space Masons Screen. Featuring works by Elisabeth Pointon and Dilohana Lekamge, worth your while examines self care within the day to day environments of work and home.
"... Johns’ is deeply immersed in the symbol not as a western cultural apparatus, a semiotic of contested bio-politics but as a divisible structure, a meditative aid that backs onto a compassionate, beatifically contemplative worldview" - Hamish Win
“What is true to you may not be true to your neighbour.” -Vea Mafile`o
Ahead of the premiere of Truth or Consequences, CIRCUIT’s 2018 programme of Aertist Cinema Commissions, Vea Mafile`o and Jeremy Leatinu’u discuss responding to curator Erika Balsom’s brief which challenged the artists to consider personal and public ‘realities’.