Commentary in category: Writing

Duration

Posted May 21, 2020
By Hamish Win

"...we can say that the concept of duration is keenly represented in moving image work, but more importantly, it is also able to actuate a perception of duration in the viewer. Do we need to say though that this is solely the purview of moving image work alone?"

Duration is the last of four essays by Hamish Win exploring how key moving-image concepts arise in other formats.

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I’m on a Dreamliner: Pillows by Sonya Lacey (Paludal, Christchurch 20 March – 3 April 2020)

Posted May 11, 2020
By Jane Wallace

"The more that I think about this predicament, the more I wonder if the act of publishing occurs in the moment of fixing ink on a page or in its distribution" - Jane Wallace

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Embracing the cacophony: Sydney Biennale 2020

Posted May 1, 2020
By Moya Lawson

"This Biennale is bustling, crowded even. Bodies, images and sounds jar and interact in closely-knit constellations. This proposes a dynamic connectivity while baring each artworks singular power." - Moya Lawson

As the 22nd Sydney Biennale goes online, Moya Lawson's review of the Biennale's physical edition affirms the moving image as a dynamic, sculptural and site-responsive practice.

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Truth or Consequences: an essay by Erika Balsom

Posted Apr 14, 2020
By Erika Balsom

"These works leave behind postmodern scepticism, trading doubt and suspicion for an attitude of care, asserting a bond to actuality even if the meaning of what is seen and heard remains open to debate." - Erika Balsom

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No-one works alone: an interview with Bruce Barber

Posted Mar 30, 2020
By Mark Williams

"Artists who challenge the model typically are collaborators" - Bruce Barber

With a dozen video works from 1973-2019 now on CIRCUIT, renowned New Zealand/Canadian artist Bruce Barber sat down with Mark Williams to discuss a career spent working inside and outside the art world; the link between the 2019 Hong Kong protests and historical radical Bertrand Russell; and rethinking Marxism for the 21st century.

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History, the sky, and the street: three new commissions for Mason’s Screen

Posted Mar 3, 2020
By Thomasin Sleigh

The three new video art commissions for the screen in Mason’s Lane, a busy pedestrian staircase in Wellington’s CBD, resist any unifying theme or aesthetic.

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Where Two Oceans Meet: Listening and Foreignness in Olivia Webb’s Anthems of Belonging

Posted Feb 17, 2020
By Connie Brown

"Attention is the rarest and purest form of generosity" — Simone Weil (i)

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"You think you know me?" - Rotterdam Film Festival 2020

Posted Feb 10, 2020
By Mark Williams

The true story of how Lydia Lunch, the Karrabing Film Collective and four films from Aotearoa thwarted Brexit (almost) at the 2020 Rotterdam Film Festival.

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Amator (2019) Selina Ershadi & Azita Chegini, RM Gallery & Project Space Dec 4 -14, 2019

Posted Jan 17, 2020
By Judy Darragh

"As Amator progresses, camera and mother become voyeurs as they move through the city, mountains, desert, interiors and exteriors. At times the camera is shared for others to use, it has become a family member." - Judy Darragh

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The testimonial

Posted Dec 9, 2019
By Hamish Win

"we might think of Pointon’s work here as a testimonial in the best sense, in that it too claims a moment of self-expression from within a system normally rigged for mass-dispersion." - Hamish Win

In this third essay in a series exploring how key moving-image concepts arise in other formats, Hamish Win discusses the work of Elisabeth Pointon, Luke Willis Thompson, Anna Brimer & Max Fleury, Guillermo Faivovich and Nicolas Goldberg, Lee Miller and Fiona Connor and Rob Hood.

See part One - Absorption and part Two - Refraction!

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